This was tough one for me. I watched TNG when it premiered and straight through (and many times since). I was going to dress up in a red Star Trek: The Next Generation uniform for Halloween this year, but I couldn’t find a good one. I own the TNG tech manual and had a toy phaser and TNG action figures as a kid. From Trek to X-Men, Lifeforce to Dune; he was an actor who often brought gravitas to Sci-Fi.
Tag: movies
Carrie On
It’s 2026, and we’re getting another adaptation of Carrie. Why? Has any other version of this story resonated as much as 1976’s version? I rewatched it yesterday and, like many other De Palma films, it does have its flaws. That said, it said what needed to be said and does not need a sequel, and multiple remakes, a TV show, and a musical.
And why keep ignoring her description from the book:
In the novel, Carrie is described as being a “chunky girl with pimples on her neck and back and buttocks.” She has pale skin, blonde hair, and blue eyes. As a child, she was described as being very pretty. However, her mother refused to allow her to look after her appearance, causing her to have greasy hair and being constantly bullied for said appearance.
She was thick through the waist only because sometimes she felt so miserable, empty, bored, that the only way to fill that gaping, whistling hole was to eat and eat and eat—but she was not that thick through the middle. She could be (what o what o what) could stop the chocolates and her pimples would go down.
– https://stephenking.fandom.com/wiki/Carrie_White
That said, it is Mike Flanagan, and he’s adapted a number of Stephen King and other horror novels. Maybe this one will have something new to say.
The Magnificent AI-mbersons
I’ve talked about AI before, and my feelings stay the same—it should not be used blindly in the creative world.
One thing I haven’t talked about is how much of a fan I am of Orson Welles. I have conflicted feelings about a project that’s currently in the works. Someone is attempting to rebuild the missing 43 minutes of footage from The Magnificent Ambersons. For those who don’t know, the studio didn’t like Welles’s version of the movie, re-cut it with a happier ending, and destroyed the footage. Over the years, he left detailed notes of what had been shot and how he envisioned the movie. Those working on the “restoration” project are filming actors portraying the original actors, then using deepfakes and AI to rebuild the performances. The reason it’s a bit of a gray area for me is that it’s a little more of a closed loop. They’re using the original footage, voices, and locations from the shoot as the source material. It doesn’t feel all that different from CGI in this case—artists are still involved in getting things right, and it’s a tool using information from the original director.
What is less cool is that the company allegedly doesn’t have permission from the Welles estate to do any of this work, and that’s where this breaks down for me. On the flipside, Welles didn’t ask for his film to be destroyed.
I for sure think about this when it comes to the missing Doctor Who episodes. But then again, what makes a movie or a show what it is? Will a deepfake performance match the choices that Joseph Cotton would have made? Will the shots be composed in a way Orson Welles or the D.P. would have imagined? Does the music fit the scene? Would CGI be different from AI if used for the same reason?
This reel from The New Yorker explains it and shows some of the footage:
https://www.instagram.com/reels/DUlVT6BkTFZ
Anyway, here’s a bunch of Welles-related stuff I’ve seen (there are some gaps, mostly of the Shakespearian variety):
- Films
- Citizen Kane
- The Magnificent Ambersons
- The Third Man
- Touch of Evil
- The Lady from Shanghai
- Mr. Arkadian/Confidential Report (I’ve seen two of the seven versions)
- F for Fake
- Does The Transformers count?
- (and I’m sure more)
- Dramatizations
- The Cat’s Meow
- RKO 281
- Mank
- Me and Orson Welles
- Cradle Will Rock
- Ed Wood
- Docs
- The Battle Over Citizen Kane
- Prodigal Sons
Martin
I’m a big George Romero fan. I was excited to find his movie, Martin, on YouTube. It’s (sort of) a vampire film and very different from a lot of his other work.
Young Martin (John Amplas) is entirely convinced that he is an 84-year-old blood-sucking vampire. Without fangs or mystical powers, Martin injects women with sedatives and drinks their blood through wounds inflicted with razor blades. After moving to Braddock, Penn., to live with his superstitious uncle (Lincoln Maazel), who also believes Martin is a vampire, Martin tries to prey exclusively on criminals and thugs but stumbles when he falls for a housewife (Sara Venable).
-Rotten Tomatoes
You can also view it on Archive.org: https://archive.org/details/Martin.1977.DVDRipAmoFilmesdeTerrormkv
Backrooms
Do you know The Backrooms? I think I’d heard the name and then hadn’t seen footage until it was shown on Corridor Crew. The original was (mostly) CGI and done by Kane Parsons/Kane Pixels, who was 16 or 17 when he made the original viral video. Now, at the age of 20, his feature-length version is being released by A24. I’m glad to see Kane is also directing this, and I’ll be curious to see what they do for a story. The original was inspired by a photo of an abandoned HobbyTown under renovation. Anyway, here’s the trailer, the original, and the clip from Corridor Crew.
The Teaser:
The Original:
Corridor Crew video:
Free Movies
If you’re ever in a pinch and looking for something to watch, did you know you can watch free (legally, with ads) movies on YouTube? I’ll often use this to scope out something before paying for it, or if it’s not streaming elsewhere. Here’s a sample of a few sources…
- https://www.youtube.com/@OfficialStreamCity
- https://www.youtube.com/@LionsgateMovies/videos
- https://www.youtube.com/@TheDollarTheater
- https://www.youtube.com/@ShoutStudios
- https://www.youtube.com/@YouLookArthouse/search?query=full
- https://www.youtube.com/@Boxoffice-Full-Movies/videos
- https://www.youtube.com/@InterPathe/playlists
Weapons
I’ve been thinking about Weapons (the movie) off and on since I saw it. This has been partially bolstered by others’ video essays. I’m not going to go into detail to avoid spoilers, but I’m curious what others think.
The movie draws on several sources:
- A standard mystery/drama: The first section of the film operates like one, with characters trying to find missing children and exploring the lives of Josh Brolin and Julia Gardner.
- Fairy tales: Most obviously, the Pied Piper and Goldilocks.
- P.T. Anderson’s Magnolia: The episodic nature, the cop character, the overall look and feel. Plus, the director even said so!
- Alcoholism: The director has gone on record as saying this is a massive piece of the film. Julia Garner’s character is one, as were Josh Creeger’s parents. The idea of a child taking care of their parents originated here.
- What else am I missing?
Movie Retrospective
I’ve previously written about AI and what uses I do and don’t like. Here’s one I do like… gathering info about posts I’ve written in the past. I thought I’d see what movies I’ve referenced over the last few years.
| Movie Title | Year | Director(s) |
|---|---|---|
| Abigail | 2024 | Matt Bettinelli-Olpin, Tyler Gillett |
| Attack the Block | 2011 | Joe Cornish |
| Barbarian | 2022 | Zach Cregger |
| Billy Elliot | 2000 | Stephen Daldry |
| Bit | 2019 | Brad Michael Elmore |
| Body Bags | 1993 | John Carpenter, Tobe Hooper |
| Brassed Off | 1996 | Mark Herman |
| Bride of Chucky | 1998 | Ronny Yu |
| Child’s Play | 1988 | Tom Holland |
| Child’s Play 2 | 1990 | John Lafia |
| Child’s Play 3 | 1991 | Jack Bender |
| Chopping Mall | 1986 | Jim Wynorski |
| Dark Star | 1974 | John Carpenter |
| Dune (1984) | 1984 | David Lynch |
| Dune (2021) | 2021 | Denis Villeneuve |
| Fright Night | 2011 | Craig Gillespie |
| Fresh | 2022 | Mimi Cave |
| Freaky | 2020 | Christopher Landon |
| Halloween II | 1981 | Rick Rosenthal |
| Hello Mary Lou: Prom Night II | 1987 | Bruce Pittman |
| Hereditary | 2018 | Ari Aster |
| It Follows | 2014 | David Robert Mitchell |
| Late Night with the Devil | 2023 | Cameron Cairnes, Colin Cairnes |
| Lisa Frankenstein | 2024 | Zelda Williams |
| Love and Monsters | 2020 | Michael Matthews |
| Malignant | 2021 | James Wan |
| Martin | 1977 | George A. Romero |
| No Time to Die | 2021 | Cary Joji Fukunaga |
| Nosferatu (Robert Eggers, upcoming) | (2024/2025) | Robert Eggers |
| Parasite | 2019 | Bong Joon-ho |
| Phantasm | 1979 | Don Coscarelli |
| Possession (1981) | 1981 | Andrzej Żuławski |
| Pride | 2014 | Matthew Warchus |
| Prom Night | 1980 | Paul Lynch |
| Seed of Chucky | 2004 | Don Mancini |
| Shadow in the Cloud | 2020 | Roseanne Liang |
| Shang-Chi and the Legend of the Ten Rings | 2021 | Destin Daniel Cretton |
| Sleepaway Camp II | 1988 | Michael A. Simpson |
| Sleepaway Camp III | 1989 | Michael A. Simpson |
| Slither | 2006 | James Gunn |
| Talk to Me | 2022 | Danny Philippou, Michael Philippou |
| The Babadook | 2014 | Jennifer Kent |
| The First Omen | 2024 | Arkasha Stevenson |
| The Forever Purge | 2021 | Everardo Gout |
| The Funhouse | 1981 | Tobe Hooper |
| The Lighthouse | 2019 | Robert Eggers |
| The Northman | 2022 | Robert Eggers |
| The Omen | 1976 | Richard Donner |
| The Omen III | 1981 | Graham Baker |
| The Omen IV (TV Movie) | 1991 | Jorge Montesi, Dominique Othenin-Girard |
| They/Them | 2022 | John Logan |
| A Nightmare on Elm Street Part 2: Freddy’s Revenge | 1985 | Jack Sholder |
Child’s Play
I’d never seen the Child’s Play / Chucky movies but I’ve been working on it lately! The first movie was very different from what I’d pictured – it’s a bit more grounded with the origin (if that makes sense). I never knew why Chucky was the way he was until I randonly watched the opening scene. I’m a big Brad Dourif fan (I mean Dune, Excocist III, One Flew Over the Cuckoo’s Nest, etc.). These movies are a real mixed bag, but I’m enjoying the ridiculosness and am looking forward to watching the show once I’m done with the movies.
So far I’ve watched:
- Child’s Play
- Child’s Play 2
- Child’s Play 3
- Bride of Chucky
- Seed of Chucky
Talk to They/Them, Fresh and Freaky Abigail and Lisa
In my last post, I somehow missed the best of the horror movies I’d recently watched, Talk to Me.
I’ve had a bit of a light-horror Catherine Newtonfest with Lisa Frankenstein, Freaky, and Abigail. Lisa Frankenstein was probably the weakest of the bunch, but all are fun and new takes on the horror genre. Avoid the Abigail trailer if you don’t want spoilers.
Fresh is another movie where I would avoid knowing too much, though skip it if you’re at all squeamish. Daisy Edgar-Jones and Sebastian Stan are great. Like a lot of the other movies on this list, it’s a mix of genres… it starts out as a rom-com and moves away from that quickly.
The less said about They/Them, the better. It had potential, but it was mostly a jumbled mess.